Maine Cliffs
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Winslow Homer increasingly subordinated the human figure to the landscape in works produced after he moved to the coastal town of Prout\u2019s Neck, Maine. In this watercolor, he rendered the boulders as an almost abstract series of intersecting planes, highlighted with bright accents of color including the red berries in the shrubs and the blue streak of ocean in the distance. The high horizon line and flattened space betray the artist\u2019s familiarity with Japanese prints.Object metadata can change over time, please check the Brooklyn Museum object record for the latest information.
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