Caught Napping (Boys Caught Napping in a Field)

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Along with landscape paintings, "narrative" pictures\u2014which offered a readable story\u2014became immensely popular in the pre-Civil War era, as Americans began to fashion more images of themselves. William Sidney Mount, one of the leading painters of such works, completed this scene of lazy boys for the New Yorker George Washington Strong, for whom it represented a childhood memory. The theme of country boyhood subsequently became one of the most popular subjects for American narrative painters after the Civil War, when urban centers increasingly drew people away from their native rural environments. Unlike those later versions, which tended to be sentimentally sweet, Mount portrayed these boys as mischievous, with due punishment approaching in the form of their father. Mount's insertion of the goat's skull on the tree also signaled the considerable risks incurred by the neglect of their duties.

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