Roofs and Steeple
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After encountering French Cubism in Paris, Charles Demuth produced a large body of still-life and architectural watercolors based in a Cubist-inspired faceting of forms. Particularly drawn to the small-town American architecture of his native Lancaster, Pennsylvania, where he continued to spend a significant amount of time, Demuth transposed the architectural volumes into two-dimensional designs of selected planes set off by precisely ruled lines. Within these compositions, the tones and density of his washes suggest spatial depth while areas of unpainted paper reassert the two-dimensional surface.Object metadata can change over time, please check the Brooklyn Museum object record for the latest information.
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