Orpheus and Eurydice

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Originally modeled for The Gates of Hell, where it was apparently intended to illustrate a poem from Baudelaire's Les Fleurs du Mal, this group was abandoned by Rodin in the final version of The Gates but given a second existence under the present title. The figure of Eurydice is recognizable as that of the Martyr and exemplifies Rodin's propensity for exploring the multiple interpretations of a single form.

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