Running Stream at San Cosimato
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Bidauld earned a place among the pioneers of openair painting with a five-year stint working in the hidden corners of the Italian countryside during the 1780s. Rivers and streams offered an opportunity to study the contrast between the rough-edged rocks lining riverbeds and those worn smooth by centuries of running waters. These subjects posed a favorite challenge: capturing the constant motion of powerfully churning rapids and delicately swirling eddies. Here, Bidauld loaded a fine brush with white paint to convey the froth of the teeming waters, lending unexpected texture to an otherwise highly finished surface.Object metadata can change over time, please check the Brooklyn Museum object record for the latest information.
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